Georgia has always aspired to be a musician—even before she started playing the piano at the age of five. Later in life, the famous Yossi Zivoni described her as a “born violinist.” She studied at the Junior Royal Northern College of Music with Rudolf Botta, then Wells Cathedral School, Guildhall School of Music & Drama and the Utrecht School of the Arts, where her teachers included Yfrah Neaman, Jack Glickman and Keiko Wataya. She also had some private lessons with Simon Fischer. And has performed with numerous orchestras and groups. Her career includes tours with Glyndebourne Opera, two years with Phantom of the Opera in Holland, and a year with the Dutch Radio Chamber Orchestra. She has also performed for the late Queen, then Prince Charles, Neil Kinnock, and others. Georgia plays violins and violas crafted by her father, Robert Vale, who passed away in 1996. In 1998, for health reasons, she took a break from music and earned a degree in Chinese from Oxford University. A few years later, in 2003, she returned to music by teaching violin, viola, piano, and theory, as well as running ensembles such as Bromsgrove Amateur Strings. With fresh eyes, and the experience that comes from benig an examiner for the ABRSM, she began writing materials for her pupils giving rise to the Hey Presto! Series which was followed several years later by Top Ten. She has loved writing these series and particularly enjoys creating the audio tracks for the tutor books, as well as arranging music for various combinations of instruments. Other interests include gadgets, languages (she holds a degree in Chinese and has a working knowledge of several other languages), and dogs (she is the proud owner of a gorgeous border collie named Bonnie). She also enjoys walks in the Shropshire hills where she now lives, jigsaw puzzles, the colour turquoise, and dark chocolate.
Allegretto Capriccio is one of Bottesini’s most stylish and elegant pieces for double bass and is believed to be his final solo work for …the instrument. Chris West, the noted Bottesini scholar, commented that “the only mention of this piece I found are from the Gazzetta Musicale di Milano review of the concert in Parma in February 1889, and the mention that he orchestrated it in a letter of May 1889.”
Allegretto Capriccio uses the entire register of the solo double bass and demonstrates Bottesini’s complete mastery of the instrument. There are technical challenges throughout the solo register with the ability to demonstrate the lyrical and singing qualities of the double bass. The accompaniment is simple and understated, but also provides gentle rhythmic momentum and a wonderfully colourful support
This edition is based on a manuscript in G minor, using a minor-3rd scordatura which Bottesini often employed, and includes accompaniments for both solo and orchestral tunings. The double bass line in the piano accompaniment is how Bottesini wrote it in the manuscript.
A version for double bass and string orchestra (or string quintet) is also available.
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