Après un rêve Op.7, No.1 arr Double Bass and String Orchestra
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Composer: Faure, Gabriel
Arranger: David Heyes
Instrumentation: Double Bass, String Orchestra
Publisher: Recital Music
Product Code:
RMD1176
Publishers Number:
RMD1176
Language:
English
Condition:
New
Gabriel Urbain Fauré was a distinguished French composer, organist, pianist, and teacher born on May 12, 1845, in Pamiers, Ariège, France. He passed away on November 4, 1924, in Paris. Fauré was one of the foremost French composers of his generation, and his musical style significantly influenced many 20th-century composers.
Gabriel Fauré stands as one of the most influential figures in French music—a composer whose work bridges the gap between the Romantic era and modern musical expression. Born in 1845 in Pamiers, France, and living until 1924, Fauré’s long life allowed him to influence generations of musicians, leaving an indelible mark on the concert repertoire, piano literature, French song, and choral works. His unique musical language, characterized by refined lyricism and innovative harmonic progressions, continues to inspire and captivate listeners today.
Fauré’s early life was steeped in the rich cultural and musical traditions of France. He began his formal training at the École Niedermeyer in Paris, where he absorbed the foundations of both sacred and secular music. This early education not only instilled in him a deep understanding of counterpoint and harmony but also kindled the seeds of his later experimental style. Throughout his formative years, Fauré was exposed to the works of earlier composers who framed the Romantic era, yet he would eventually chart his own course—a course that balanced tradition with forward-thinking nuance. His journey through musical academia eventually led him to study with some of the foremost masters of his time, influences that enriched his complex, evolving style.
One of the hallmarks of Fauré’s work is his mastery of melody and harmony. Unlike his contemporaries, whose compositions sometimes veered towards grandiosity, Fauré’s music is marked by a subtle and introspective elegance. His approach to harmony was innovative; he often employed modulations and chord progressions that were unexpected, lending his music a sense of dreamy ambivalence and understated expression. This fresh harmonic language resonated well with audiences and fellow composers alike, paving the way for later developments in French music. Many have noted that Fauré’s music, though deeply rooted in the Romantic tradition, hinted at the emerging modernist trends that would later become more pronounced. His ability to interlace simplicity with sophistication makes each note and nuance of his work a study in refined beauty.
Among Fauré’s most celebrated compositions is his Requiem, a work that diverges from the conventional liturgical settings. Instead of focusing solely on the terror of judgment, Fauré’s Requiem exudes a peaceful serenity—a meditation on eternal rest rather than a dramatic depiction of divine wrath. This approach not only set his work apart from other composers who rendered the Requiem in a more bombastic manner but also showcased his penchant for finding beauty and solace in the contemplation of life and death. Beyond the Requiem, his output includes a wealth of chamber music, orchestral pieces, and, notably, a dazzling collection of French mélodies. These songs, set to a wide variety of texts and imbued with an exquisite sensitivity to language and emotion, remain staples of the vocal repertoire, celebrated for their poetic intimacy and gentle allure.
Fauré’s piano music also deserves special mention. His pieces for the piano are celebrated for their clarity of texture and elegant lyricism. They balance technical mastery with expressive subtlety, inviting performers to explore a range of dynamics and moods. His piano works, much like his vocal and choral compositions, illustrate his unique ability to find profound expression in pared-down forms. It is in these compositions that one can trace the evolution of his style—a gradual move from the lush, dense orchestrations of early Romanticism to the more distilled textures that would later define modern French aesthetics.
Beyond composition, Fauré devoted much of his later life to teaching, influencing a whole generation of musicians. His tenure at the Paris Conservatoire was marked not only by his strict, elegant approach to composition but also by his open-mindedness in nurturing the individuality of his students. Many of his pupils, including iconic figures such as Maurice Ravel, carried forward his legacy of innovation and sophistication, ensuring that Fauré’s influence trickled down into the broader currents of twentieth-century music. His emphasis on clarity, economy of means, and the importance of expressive nuance has left an enduring imprint on modern musical thought, even as tastes and styles have evolved over the past century.
In reflecting on Gabriel Fauré’s legacy, one finds the resonant echoes of a composer who was unafraid to challenge the conventions of his day while holding fast to the beauty of simplicity. His music, imbued with introspection, emotional depth, and harmonic innovation, has earned him a place among the giants of French composition. Whether it is through his choral works that offer a gentle respite from the grandeur of traditional liturgical music or through his intimate chansons and piano pieces, Fauré consistently demonstrated that music could be both intellectually stimulating and profoundly moving.
Fauré’s work continues to be celebrated on concert stages around the world, and his influence on both performers and composers remains palpable in every carefully crafted note of modern French music. As audiences and musicians rediscover his compositions, the timeless quality of his art reminds us that true elegance in music transcends the era in which it was composed. Exploring his oeuvre offers not just a glimpse into the evolution of French music, but also an invitation to immerse oneself in a world where music gently reflects the deepest currents of the human soul.
During the last twenty years of his life, Fauré suffered from increasing deafness. His music from this period is sometimes elusive and withdrawn in character, and at other times turbulent and impassioned, contrasting with the charm of his earlier works. Despite the challenges, Fauré’s legacy continues, with his harmonic and melodic innovations influencing the teaching of harmony for later generations.
Après un rêve is one of Faure’s most evocative and atmospheric songs transcribes beautifully for the good intermediate bassist. The accompaniment provides …an underlying pulse above which the solo line weaves a dreamy and richly expressive melody. The harmonies are refined, typical of the late-romantic style but looking forward to the 20th-century, contrasting a most exquisite melodic line. The repeated quaver accompaniment adds a sense of forward momentum in this beautiful and sonorous miniature.
Gabriel Urbain Fauré (1845-1924) was a French composer, organist, pianist and teacher and was one of the foremost French composers of his generation. His musical style influenced many 20th-century composers and among his best-known works are his Pavane, Requiem, Nocturnes, Après un rêve and Clair de lune, alongside a wealth of instrumental and vocal music.
Although his best-known and most accessible compositions are generally his earlier ones, Fauré composed many of his most highly regarded works in his later years, in a harmonically and melodically much more complex style. Among his teachers was Camille Saint-Saëns, who became a lifelong friend and, after graduating in 1865, Fauré earned a modest living as an organist and teacher, leaving him little time for composition. He was subsequently appointed to the important posts of organist of the Église de la Madeleine and director of the Paris Conservatoire.
Fauré’s music has been described as linking the end of Romanticism with the modernism of the second quarter of the 20th century. When he was born, Chopin was still composing, and by the time of Fauré’s death, jazz and the atonal music of the Second Viennese School were being heard. Grove’s Dictionary of Music and Musicians describes him as the most advanced composer of his generation in France and noted that his harmonic and melodic innovations influenced the teaching of harmony for later generations.