Instrumentation: 4 Doubles Basses or Massed Basses
Publisher:
Product Code:
RMD1345
Publishers Number:
RMD1345
Language:
English
Georgia has always aspired to be a musician—even before she started playing the piano at the age of five. Later in life, the famous Yossi Zivoni described her as a “born violinist.” She studied at the Junior Royal Northern College of Music with Rudolf Botta, then Wells Cathedral School, Guildhall School of Music & Drama and the Utrecht School of the Arts, where her teachers included Yfrah Neaman, Jack Glickman and Keiko Wataya. She also had some private lessons with Simon Fischer. And has performed with numerous orchestras and groups. Her career includes tours with Glyndebourne Opera, two years with Phantom of the Opera in Holland, and a year with the Dutch Radio Chamber Orchestra. She has also performed for the late Queen, then Prince Charles, Neil Kinnock, and others. Georgia plays violins and violas crafted by her father, Robert Vale, who passed away in 1996. In 1998, for health reasons, she took a break from music and earned a degree in Chinese from Oxford University. A few years later, in 2003, she returned to music by teaching violin, viola, piano, and theory, as well as running ensembles such as Bromsgrove Amateur Strings. With fresh eyes, and the experience that comes from benig an examiner for the ABRSM, she began writing materials for her pupils giving rise to the Hey Presto! Series which was followed several years later by Top Ten. She has loved writing these series and particularly enjoys creating the audio tracks for the tutor books, as well as arranging music for various combinations of instruments. Other interests include gadgets, languages (she holds a degree in Chinese and has a working knowledge of several other languages), and dogs (she is the proud owner of a gorgeous border collie named Bonnie). She also enjoys walks in the Shropshire hills where she now lives, jigsaw puzzles, the colour turquoise, and dark chocolate.
Blues for Mingus is a lively, rhythmic and enjoyable jazz-inspired work for the intermediate quartet, also playable by massed basses, and is a fitting tribute …to Charles Mingus (1922-1979), one of America’s iconic jazz bassists.
Primarily played pizzicato, there are optional opportunities for improvisation and this is a good opportunity to experiment with different pizzicato styles.
Composed in 1999 for the ISB Young Bassists Project, bass 1 plays into low thumb position but the others are firmly rooted in bass clef. The premiere was conducted by the composer who also performed the final cadenza in the penultimate bar.
Let your hair down and have fun!
“A largely pizzicato affair, with jazz triplet rhythms and occasional hand claps, this quartet defines the blues with a kind of laid back rhythmic spirit. Textures are never too dense – something which cannot always be said of bass quartets – with interest spread among the parts and some unisons which help to keep the writing uncluttered. Mainly up to fourth position, there is one short higher section (into thumb position) for the first player, who also has an optional cadenza, but there are optional improvisations in other parts. The fourth part is restricted to first and half positions, but needs a strong adherence to the triplet rhythm. This quartet is a must for bass courses and as an interlude in youth orchestra sectionals.” [ESTA – News & Views]
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