UK composer Duncan Stubbs studied music at the University of York followed by a postgraduate year in Birmingham specialising in music education. He later achieved a Master of Music degree in composition, and was awarded the Albert Thomas Composition prize, the Primrose Ensemble Composition prize and the Worshipful Company of Musician’s Silver Medal for best composition student.
Duncan joined the Royal Air Force (RAF) in 1983 as a bassoon player in the Central Band of the RAF. He was commissioned as a Director of Music in 1990, being one of the youngest ever commissioned Directors of Music in all three UK Services. He went on to command all three RAF Bands, finishing his career as the Principal Director of Music for the RAF from 2009 – 2017. In addition to conducting annual UK concert tours he also led the RAF on major ceremonial events, including international tattoos and Queen Elizabeth II’s Jubilee Celebrations. Additional televised broadcasts include conducting at Royal British Legion Festival of Remembrance at the Royal Albert Hall London.
A highlight of Duncan’s career was writing and conducting the wedding fanfare for the marriage of Prince William and Catherine Middleton in 2011. In 2017, Duncan was awarded the Order of the British Empire at Buckingham Palace for services to military music.
His wider experience includes producing and recording commercial CDs, arranging for film scores, and composing works for wind band, brass band and smaller ensembles.
Duncan enjoys working with musicians in schools, universities, conservatoires, and community bands. He is chairman of the National Concert Band Festival, where he uses his skills and experience to broaden the musical opportunities and aspirations of Wind Band musicians throughout the UK. He is currently the resident conductor of two wind bands, he frequently leads wind band workshops, and coaches on several residential summer courses. He adjudicates at both brass and wind band festivals as well as writing and arranging music.
Information courtesy of Clifton Edition
Written to be a challenging, but accessible piece, Antique Variations takes the players through a variety of musical forms from the Baroque and Classical eras.… While this “looking back in time” is fundamental to the work, the variations also pay homage to the styles of various 20th Century composers. The piece was written somewhat “in reverse” as the opening theme is derived from the basic interval structure of the Dance at the end, and all the subsequent variations build on these intervals to finally arrive at the Dance itself. Previously Published by Spartan Press. Former catalogue number: SP1385.
