Czech bassist-composer František Gregora (1819-1887) was Bottesini’s almost exact contemporary, albeit two years older and, although he was a respected soloist and composer his music has, on the whole, been largely forgotten.
Born in Netolice, Bohemia on 9 January 1819, he showed early musical talent playing organ, piano, violin, flute and clarinet before transferring to the double bass. In 1844 he entered the Vienna Conservatoire where he studied double bass with Antonín Slama and composition with Gottfried Preyer.
After graduation, Gregora returned to Bohemia and settled in Písek where he lived until his death on 27 January 1887. He became an important local musical figure as organist, choir-master and music teacher, and was soon nicknamed ‘the travelling bass virtuoso’, having given many recitals in the local area.
František Gregora was a fairly prolific composer and his output includes sacred and secular choral music, chamber and orchestral works alongside a wealth of solo music for double bass.
Dumka et Caprice (à la Polka) by Frantisek Gregora was first published in Die hohe Schule – Band 3 (Advanced Course – Volume 3) in…
Dumka et Caprice (à la Polka) by Frantisek Gregora was first published in Die hohe Schule – Band 3 (Advanced Course – Volume 3) in an edition arranged by František Simandl.
In one extended movement, but with defined and contrasting sections, there are musical and technical challenges across the range of the solo double bass, with a piano accompaniment which is lively, independent and supportive.
There is a strong rhythmic momentum throughout the faster sections, contrasting music of a more lyrical and gentle nature, building to an exciting and strident coda full of Czech influences and dance rhythms.
This edition includes piano accompaniments for both solo and orchestral tunings.
