Lyric Sonata was composed in 2009 and is aimed at the intermediate bassist. It has three colourful and engaging movements, with the emphasis on the singing …and lyrical possibilities of the double bass, alongside an enjoyable piano accompaniment which is both independent yet support.
Lyric Sonata is written entirely in bass clef and offers accessible and interesting study or concert repertoire for the progressing bassist.
Armand Russell composed a wealth of double bass music for younger players, each piece offering a range of musical and technical challenges, and all written in a confident, appealing and easily approachable style.
Lyric Sonata is only available in orchestral tuning.
Look Inside
Armand Russell was born in Seattle, Washington in 1932. He received the Bachelor of Arts and Master of Arts degrees from the University of Washington, with a major in music composition, and a Doctorate in music composition from the Eastman School of Music. He studied double bass with Leslie Martin, who played in the Seattle Symphony and Boston Symphony Orchestras, and at the Eastman School of Music with Oscar Zimmerman. His composition studies were with John Verrall and George McKay at the University of Washington, and with Bernard Rogers and Howard Hanson at the Eastman School.
Professionally, Armand Russell played double bass in many orchestras including the Seattle Symphony Orchestra, Boston Pops Tour Orchestra, Rochester Philharmonic and Civic Orchestras, and Honolulu Symphony. For five years he taught as a visiting Professor at the Eastman School of Music. From 1961 to 1994 he taught at the University of Hawaii Music Department and retired as Professor emeritus in 1994.
While at the University of Hawaii he taught music theory, composition and double bass and also served as Chair of the Music Department for seven years.
Armand Russell’s compositional style is confident and direct with a clarity of line and texture always to the fore. A modern, yet lyrical and accessible style, has created works which communicate equally to performers and audiences alike and he has made, and continues to make, a unique and valuable contribution to the double bass literature throughout a long and successful career.
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