Double bassist Michael Montgomery, a student of Robert Rohe (Principal Bass, New Orleans Symphony) and Lucas Drew (Principal Bass, Miami Philharmonic), earned his Doctor of Musical Arts degree in double bass performance from the University of Miami, played full-time in the bass section of the Florida Philharmonic Orchestra for two decades.

He now lives in the Ozark Mountains of Arkansas, where he teaches double bass at the University of Arkansas Fayetteville and privately in his home studio. Michael has composed numerous works for young double bassists (including over five dozen short bass quartets for young students) which are published by Recital Music and two American publishers.

His articles about bass performance, literature, and teaching have been published in American Suzuki Journal, Bass World, and Pastoral Music.

Michael Montgomery writes about his composition Who’s on First Bass: “This short solo for double bass and string orchestra was written for David S., a… young middle school bassist, at the request of his orchestra teacher. David had progressed wonderfully in his second year of study, catching the attention of the teacher, who wished to feature him in the end of the year Spring concert. With the unfortunate happenings of the pandemic, however, face to face class meetings were suspended, the academic school year was completed via online remote learning, and the Spring concert had to be cancelled – David’s moment in the spotlight would have to wait. The title is, of course, a take-off on the “Who’s on First” comedy routine of Abbott and Costello in which the player Who actually is on first base. In this piece the soloist is accompanied by string orchestra (or string quintet) with a subtle (yet quite important) part added for claves. Here the typical five note rhythmic pattern of Cuban Salsa (the “clave”, literally the key) is altered slightly, with the second note of the rhythm occurring on beat three rather on the “and” of two. This clave is indeed the key to much of the rhythmic material in the solo and string parts, especially the manner in which the downbeat of the second measure (of the two measure clave) is anticipated.” Who’s On First Bass? is also published in an edition for double bass and piano or double bass ensemble