Adolf Misek's Sonata No.1 Op.5 was probably composed during the early years of the 20th-century and first published in 1909 by Universal Edition (Vienna). The…
Adolf Misek’s Sonata No.1 Op.5 was probably composed during the early years of the 20th-century and first published in 1909 by Universal Edition (Vienna). The three contrasting movements explore and exploit the virtuosic and singing potential of the double bass alongside a colourfully supportive and rhythmically inventive accompaniment.
The first movement (Allegro) begins with a heroic and martial theme, performed in octaves by both performers, followed by a folk-like second theme which exudes Viennese charm and elegance. Throughout there is effective interplay between the two performers, a witty and rhythmically charged middle section, and a short but exciting coda which brings the movement to a bright and successful close.
The second movement (Andante religioso) is highly romantic, full of wonderful sentiment and expression, and utilises the entire range of the double bass. The poignant and passionate middle section produces a perfect partnership between both performers, taking the double bass into its highest harmonics, and creating music with an old world charm with the music of Antonín Dvořák never too far away.
The finale (Rondo: Allegro) is vibrant and energetic, with echoes of Czech folk-styles contrasting passages of virtuosity and rhythmic energy. A polka-like theme sets the mood with the melodic interest passed from player to player. A sudden mood and key change takes the music into a more relaxed mood and a fugato passage leads into a recapitulation of the opening theme. The music continues to push forward to a strong, buoyant and triumphant conclusion.
The edition includes two solo double bass parts – one without fingerings and one with the composer’s own fingerings.
