1. Ach, daß nicht die letzte Stunde BWV 439
2. Auf, auf! die rechte Zeit ist hier BWV 440
3. Auf, auf! mein Herz, mit Freuden BWV 441
4. Beglückter Stand getreuer Seelen BWV 442
5. Beschränkt, ihr Weisen dieser Welt BWV 443
6. Brich entzwei, mein armes Herze BWV 444
7. Brunnquell aller Güter BWV 445
8. Der lieben Sonnie Licht und Pracht BWV 446
9. Der Tag ist hin, die Sonne gehet nieder BWV 447
10. Der Tag mit seinem Lichte BWV 448
11. Dich bet’ ich an, mein höchster Gott . BWV 449
12. Die bitt’re Leidenszeit beginnet BWV 450
13. Die güldne Sonne, voll Freud’ und Wonne BWV 451
14. Dir, dir, Jehova, will ich singen BWV 452
15. Eins ist not! ach Herr, dies Eine BWV 453
16. Ermuntre dich, mein schwacher Geist BWV 454
17. Erwürgtes Lamm, das die verwahrten Siegel BWV 455
18. Es glänzet der Christen inwendiges Leben . BWV 456
19. Es ist nun aus mit meinem Leben BWV 457
20. Es ist vollbracht! Vergiß ja nicht dies Wort BWV 458
21. Es kostet viel, ein Christ zu sein BWV 459
22. Gib dich zufrieden und sei stille (1. Form) BWV 511
23. Gib dich zufrieden und sei stille (2. Form) BWV 512
24. Gib dich zufrieden und sei stille (3. Form) BWV 460
25. Gott lebet noch! Seele, was verzagst du doch? BWV 461
26. Gott, wie groß ist deine Güte BWV 462
27. Herr, nicht schicke deine Rache BWV 463
28. Ich bin ja, Herr, in deiner Macht BWV 464
29. Ich freue mich in dir BWV 465
30. Ich halte treulich still BWV 466
31. Ich laß dich nicht BWV 467
32. Ich liebe Jesum, alle Stund BWV 468
33. Ich steh an deiner Krippen hier BWV 469
34. Jesu, Jesu, du bist mein BWV 470
35. Jesu, deine Liebeswunden BWV 471
36. Jesu, meines Glaubens Zier BWV 472
37. Jesu, meines Herzens Freud BWV 473
38. Jesus ist das schönste Licht BWV 474
39. Jesus, unser Trost und Leben BWV 475
40. Ihr Gestirn’, ihr hohen Lüfte BWV 476
41. Kein Stündlein geht dahin BWV 477
42. Komm, süßer Tod, komm, scl’ge Ruh’! BWV 478
43. Kommt, Seelen, dieser Tag BWV 479
44. Kommt wieder aus der finst’ren Gruft BWV 480
45. Lasset uns mit Jesu ziehen BWV 481
46. Liebes Herz, bedenke doch BWV 482
47. Liebster Gott, wann werd’ ich sterben BWV 483
48. Liebster Herr Jesu, wo bleibst du so lange? BWV 484
49. Liebster Immanuel BWV 485
50. Mein Jesu, dem die Seraphinen BWV 486
51. Mein Jesu, was für Seelenweh BWV 487
52. Meines Lebens letzte Zeit BWV 488
53. Nicht so traurig, nicht so sehr BWV 489
54. Nur mein Jesus ist mein Leben BWV 490
55. O du Liebe meiner Liebe BWV 491
56. O Ewigkeit, du Donnerwort BWV 513
57. O finstre Nacht, wann wirst du doch vergehen BWV 492
58. O Jesulein süß, o Jesulein mild BWV 493
59. O liebe Seele, zieh die Sinnen BWV 494
60. O wie selig seid ihr doch, ihr Frommen BWV 495
61. Schaff’s mit mir, Gott, nach deinem Willen BWV 514
62. Seelenbräutigam, Jesu, Gottes Lamm BWV 496
63. Seelenweide, meine Freude BWV 497
64. Selig, wer an Jesum denkt BWV 498
65. Sei gegrüßet, Jesu gütig BWV 499
66. So gehst du nun, mein Jesu, hin BWV 500
67. So gibst du nim, mein Jesu, gute Nacht BWV 501
68. So wünsch ich mir zu guter Letzt BWV 502
69. Steh ich bei meinem Gott BWV 503
70. Vergiß mein nicht, daß ich dein nicht vergess BWV 504
71. Vergiß mein nicht, mein allerliebster Gott BWV 505
72. Warum betrübst du dich BWV 516
73. Was bist du doch, o Seele, so betrübet BWV 506
74. Wie wohl ist mir, o Freund der Seelen BWV 517
75. Wo ist mein Schäflein, das ich liebe BWV 507
76. So oft ich meine Tabakspfeife BWV 515
77. Bist du bei mir BWV 508
78. Gedenke doch, mein Geist BWV 509
79. Hier lieg ich nun, o Vater BWV 519
80. Das walt mein Gott BWV 520
81. Gott, mein Herz dir Dank zusendet BWV 521
82. Meine Seele, laß es gehen BWV 522
83. Ich gnüge mich an meinem Stande BWV 523
Johann Sebastian Bach was a German composer and musician of the late Baroque period, born on March 31, 1685 (O.S. March 21), in Eisenach, Thuringia, Ernestine Saxon Duchies (now Germany). He passed away on July 28, 1750, in Leipzig1. Bach is now generally regarded as one of the greatest composers of all time and is celebrated as the creator of the Brandenburg Concertos, The Well-Tempered Clavier, the Mass in B Minor, and numerous other masterpieces of church and instrumental music.
Bach’s abilities as an organist were highly respected throughout his lifetime, although he was not widely recognized as a great composer until after his death. Today, he is considered to be the master of fugue, the inventor of the solo keyboard concerto, and the greatest composer of the Baroque era.
His compositions include a wide variety of music such as orchestral music (e.g., the Brandenburg Concertos), solo instrumental works (e.g., the Cello Suites and Sonatas and Partitas for Solo Violin), keyboard works (e.g., the Goldberg Variations and The Well-Tempered Clavier), organ works (e.g., the Schübler Chorales and the Toccata and Fugue in D Minor), and choral works (e.g., the St. Matthew Passion and the Mass in B Minor).
Bach came from a highly musical family and was the last child of a city musician, Johann Ambrosius. After being orphaned at the age of 10, he lived with his eldest brother, Johann Christoph, and continued his musical education in Lüneburg. His career included working as a musician for Protestant churches in Arnstadt and Mühlhausen and at courts in Weimar and Köthen before becoming Thomaskantor (cantor at St. Thomas’s) in Leipzig.
In Leipzig, he composed music for the principal Lutheran churches of the city and for its university’s student ensemble Collegium Musicum. Despite difficult relations with his employer, Bach’s music flourished, and he enriched established German styles through his mastery of counterpoint, harmonic, and motivic organization, and his adaptation of rhythms, forms, and textures from abroad, particularly from Italy and France.
Bach’s legacy is immense, having enriched the German musical tradition and set a precedent in composition that would influence subsequent generations of composers.
From Schemelli Songbook BWV 439–507, the Notebook of Anna Magdalena Bach BWV 508, 509, 511–517 and the Five Hymns BWV 519–523 based on a manuscript by Johann Ludwig Krebs.
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