Ach, daß nicht die letzte Stunde
Auf, auf! Die rechte Zeit ist hier
Auf, auf! Mein Herz, mit Freuden
Beglückter Stand getreuer Seelen
Beschränkt, ihr Weisen dieser Welt
Brich entzwei, mein armes Herze
Brunnquell aller Güter
Der lieben Sonnen Licht und Pracht
Der Tag ist hin, die Sonne gehet nieder
Der Tag mit seinem Lichte
Dich bet ich an, mein höchster Gott
Die bittre Leidenszeit beginnet
Die goldne Sonne, voll Freud und Wonne
Dir, dir, Jehova, will ich singen
Eins ist not! Ach Herr, dies Eine
Ermuntre dich, mein schwacher Geist
Erwürtges Lamm, das die verwahrten Siegel
Es glänzet der Christen inwendiges Leben
Es ist nun aus mit meinem Leben
Es ist vollbracht! Vergiß ja nicht dies Wort
Es kostet viel, ein Christ zu sein
Gib dich zufrieden und sei stille
Gott lebet noch
Gott, wie groß ist deine Güte
Herr, nicht schicke deine Rache
Ich bin ja, Herr, in deiner Macht
Ich freue mich in dir
Ich halte treulich still
Ich laß dich nicht
Ich liebe Jesum alle Stund
Ich steh an deiner Krippen hier
Ihr Gestirn, ihr hohen Lüfte
Jesu, deine Liebeswunden
Jesu, Jesu, du bist mein
Jesu, meines Glaubens Zier
Jesu, meines Herzen Freud
Jesus ist das schönste Licht
Jesus, unser Trost und Leben
Kein Stündlein geht dahin
Komm, süßer Tod
Kommt wieder aus finstren Gruft
Kommt, Seelen, dieser Tag
Lasset uns mit Jesu ziehn
Liebes Herz, bedenke doch
Liebster Gott, wann werd ich sterben
Liebster Herr Jesu, wo bleibst du so lange
Liebster Immanuel, Herzog der Frommen
Mein Jesu, dem die Seraphinen
Mein Jesu, was für Seelenweh
Meines Lebens letzte Zeit
Nicht so traurig, nicht so sehr
Nur mein Jesus ist mein Leben
O du Liebe meiner Liebe
O finstre Nacht, wann wirst du doch vergehen
O Jesulein süß, o Jesulein mild
O liebe Seele, zieh die Sinnen
O wie selig seid ihr doch, ihr Frommen
Seelenbräutigam, Jesu, Gotteslamm
Seelenweide, meine Freude
Sei gegrüßet, Jesu gütig
Selig, wer an Jesum denkt
So gehst du nun, mein Jesu, hin
So gibst du nun, mein Jesu, gute Nacht
So wünsch ich mir zu guter Letzt
Steh ich bei meinem Gott
Vergiß mein nicht, vergiß mein nicht
Was bist du doch, o Seele so betrübet
Wo ist mein Schäflein, das ich liebe
Johann Sebastian Bach was a German composer and musician of the late Baroque period, born on March 31, 1685 (O.S. March 21), in Eisenach, Thuringia, Ernestine Saxon Duchies (now Germany). He passed away on July 28, 1750, in Leipzig.
Bach is now generally regarded as one of the greatest and most prolific composers of all time and is celebrated as the creator of the Brandenburg Concertos, The Well-Tempered Clavier, the Mass in B Minor, the St John and St Matthew Passions, the Christmas Oratorio and more than 300 cantatas (although only around 200 are extant. He numerous other masterpieces of church and instrumental music.
Bach’s abilities as an organist were highly respected throughout his lifetime, although he was not widely recognized as a great composer until after his death. Today, he is considered to be the master of fugue, the inventor of the solo keyboard concerto, and the greatest composer of the Baroque era.
His compositions include a wide variety of music such as orchestral music (e.g., the Brandenburg Concertos), solo instrumental works (e.g., the Cello Suites and Sonatas and Partitas for Solo Violin), keyboard works (e.g., the Goldberg Variations and The Well-Tempered Clavier), organ works (e.g., the Schübler Chorales and the Toccata and Fugue in D Minor), and choral works (e.g., the St. Matthew Passion and the Mass in B Minor).
Bach came from a highly musical family and was the last child of a city musician, Johann Ambrosius. After being orphaned at the age of 10, he lived with his eldest brother, Johann Christoph, and continued his musical education in Lüneburg. His career included working as a musician for Protestant churches in Arnstadt and Mühlhausen and at courts in Weimar and Köthen before becoming Thomaskantor (cantor at St. Thomas’s) in Leipzig.
In Leipzig, he composed music for the principal Lutheran churches of the city and for its university’s student ensemble Collegium Musicum. Despite difficult relations with his employer, Bach’s music flourished, and he enriched established German styles through his mastery of counterpoint, harmonic, and motivic organization, and his adaptation of rhythms, forms, and textures from abroad, particularly from Italy and France.
Bach’s legacy is immense, having enriched the German musical tradition and set a precedent in composition that would influence subsequent generations of composers.
“This Musical Song Book contains some melodies newly composed by the honourable Mr. Johann Sebastian Bach, Electoral Saxon Kapellmeister and ‘Director Chori Musici’ in Leipzig, …and some of which he improved the thorough bass; the melodies were printed at the beginning of every song. Others Gould have been included, but this would have made the book too expensive for some people.”
This new edition contains all the Chorales from Schemelli’s song book in their original Order. Compared with the former Edition Breitkopf No. 730, which was a standard Performance edition for over one hundred years, this new edition has been printed in a larger format and type. This, as well as the addition of the first stanza of each Chorale in the musical text, makes the “Spiritual Songs and Arias” still easier to use. The two-part pieces with figured bass have been maintained in the original form, which allows the Performer to work out his own realization.
R.R.P £20
Our Price £17
This Publication will not be fulfilled by The Music Realm. The Publisher has requested that all purchases of this product be referred to them and they will create a personalised copy of this product and email it to you.