Funf Stuecke im Volkston Op. 102
1. Mit Humor
2. Langsam
3. Nicht schnell, mit viel Ton zu spielen
4. Nicht zu rasch
5. Stark und markiert
Robert Schumann was a German composer, pianist, and influential music critic of the Romantic era, born on June 8, 1810, in Zwickau, Saxony, Germany. He passed away on July 29, 1856, in Endenich, near Bonn, Prussia, Germany. Schumann is renowned particularly for his piano music, songs (lieder), and orchestral music. Many of his best-known piano pieces were written for his wife, the pianist Clara Schumann.
Schumann’s early years were marked by his father’s influence, who was a bookseller and publisher. He began his musical education at the age of six, studying the piano. In 1827, he came under the musical influence of Austrian composer Franz Schubert and the literary influence of German poet Jean Paul Richter. In the same year, he composed some songs.
Despite initially studying law at the University of Leipzig, Schumann’s passion for music prevailed. He studied the piano seriously with Friedrich Wieck, Clara’s father, and eventually married Clara despite Wieck’s opposition2. Schumann’s early works were mainly piano pieces, including the large-scale “Carnaval” (1834–1835). He co-founded the “Neue Zeitschrift für Musik” (New Musical Journal) in 1834 and edited it for ten years, contributing significantly to music criticism.
His compositions include the “Piano Concerto in A Minor, Op. 54,” “Symphony No. 1 in B-flat Major,” and song cycles such as “Frauenliebe und -leben” and “Dichterliebe.” Schumann turned to orchestral music in 1841, chamber music and choral works in the following years, and his wife Clara premiered many of his works, including the Piano Concerto.
Schumann’s life was troubled by mental health issues, which led to his attempted suicide in 1854 and subsequent confinement in a sanatorium, where he died two years later. His legacy remains significant, as he was one of the most important Romantic composers and a highly regarded music critic, whose deeply personal music reflects the nature of Romanticism.
Composed in 1849, Schumann's most productive year, the 5 Pieces in Folk Style Op. 102 are Schumann's only surviving original work for violoncello and piano.
The first…
Composed in 1849, Schumann’s most productive year, the 5 Pieces in Folk Style Op. 102 are Schumann’s only surviving original work for violoncello and piano.
The first text-critical edition of these brilliant character pieces is based on the first edition of 1851 and on the autograph. It features an extensive preface detailing the history of the origin and reception of the work.
Dedicated to cellist Andreas Graubau.
1. Mit Humor – earthy, rhythmic, slightly rough-edged
2. Langsam – introspective, songlike
3. Nicht schnell, mit viel Ton zu spielen – warm, lyrical, almost vocal
4. Nicht zu rasch – dance-like, with rustic inflections
5. Stark und markiert – bold, muscular, quasi-improvisatory
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