Double bassist Michael Montgomery, a student of Robert Rohe (Principal Bass, New Orleans Symphony) and Lucas Drew (Principal Bass, Miami Philharmonic), earned his Doctor of Musical Arts degree in double bass performance from the University of Miami, played full-time in the bass section of the Florida Philharmonic Orchestra for two decades.
He now lives in the Ozark Mountains of Arkansas, where he teaches double bass at the University of Arkansas Fayetteville and privately in his home studio. Michael has composed numerous works for young double bassists (including over five dozen short bass quartets for young students) which are published by Recital Music and two American publishers.
His articles about bass performance, literature, and teaching have been published in American Suzuki Journal, Bass World, and Pastoral Music.
The Adventures of Pinocchio is a colourful and enjoyable suite of pieces for the progressing young bass quartet. Each of the five movements offers a …range of musical and technical challenges, in bass clef, only using the lower positions but with the addition of bass percussion, playing effects and simple harmonics in 4th position.
The five pieces can be performed singly or in any order and each can be repeated if necessary. A short
narration could be spoken between movements and The Adventures of Pinocchio joins a fun and
accessible collection of double bass quartets for younger players.
“This collection of double bass quartets is based on The Story of a Puppet (La storia di un burattino) by Italian author Carlo Collodi (1826-1890). Originally written as a series of short stories for an Italian children’s magazine (1881-1882), the tale proved to be immensely popular and was later (1883) published as a standalone novel. In the 147 years that have now passed it has been translated into an estimated 260 languages – translated into English in 1892, fourteen full length English language movies are now based on Collodi’s work.
Pinocchio’s story is one of many trials as the puppet follows his dream of becoming a real boy, often thwarted as he yields to a number of temptations which without fail lead to terrible misadventures. The music setting I chose for “The Marionette” reflects the boy’s carefree lifestyle. Geppetto, the peasant woodworker/puppeteer, longing for a son, finds his hope in the slab of wood which he forms into Pinocchio. The introduction to his song finds Geppetto in a pensive mood that soon gives way to a more cheerful and optimistic tune.
The enchanting Fairy with Turquoise Hair befriends Pinocchio, first as a sister and then mother figure, who rescues him time and again as his adventures and journeys go wrong, and a chorale seemed to best mirror her almost reverential disposition.
A giant and terrible creature, the Dog Fish (Squalidae, a type of shark) is said to be five stories high and two miles long, with a mouth that can accommodate a train. This creature somehow comes across and swallows both Pinocchio and his father, and his song is of course quite frightening.
Two murky and menacing fellows appear in the person of a Fox and a Cat who very much wish to acquire Pinocchio’s five gold sequins, coins used in long ago Venice, and it is only the Fairy with Turquoise Hair that can finally save Pinocchio from the pair. This duo’s tune projects a sneaky and rather dark ambience.
[Programme notes by Michael Montgomery]
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