Cerny, Frantisek

František Černý was a Czech bassist, teacher and composer. He was born on 23 January 1860 in Pardubice and studied at the Prague Conservatoire (1876-82) and in Paris, where he later became a member of the Orchestre Colonne-Lamoureux from 1884-1890. He returned to Czechoslovakia in 1890, when he was appointed Principal Bass of the National Theatre Orchestra in Prague (1890-1900), and it was at this time that he discovered the wonderful Grancino double bass of 1693, later owned by Oldrichs Sorejs and František Pošta.

Černý was an outstanding teacher and taught at the Prague Conservatoire for 31 years (1900-31) and many of the leading Czech bassists at the beginning of the 20th-century were taught by him. He was not a prolific composer and most of his works were written for the double bass, including a Method (1906), 30 Etudes-Caprices (1923), Technical Studies in Thumb Position (1927), 4 Concertos and ten salon pieces for double bass and piano.

Černý studied composition with Antonín Dvořák and much of his music reflects the salon style of the late 19th-century. All his works are melodic and appealing, combining the late-Romantic idiom of Dvořák and Brahms, with Czech lyricism and influences, and he makes full use of the solo capabilities of the double bass.

František Černý died in Prague on 3 September 1940.

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Gregora, Frantisek

Czech bassist-composer František Gregora (1819-1887) was Bottesini’s almost exact contemporary, albeit two years older and, although he was a respected soloist and composer his music has, on the whole, been largely forgotten.

Born in Netolice, Bohemia on 9 January 1819, he showed early musical talent playing organ, piano, violin, flute and clarinet before transferring to the double bass. In 1844 he entered the Vienna Conservatoire where he studied double bass with Antonín Slama and composition with Gottfried Preyer.

After graduation, Gregora returned to Bohemia and settled in Písek where he lived until his death on 27 January 1887. He became an important local musical figure as organist, choir-master and music teacher, and was soon nicknamed ‘the travelling bass virtuoso’, having given many recitals in the local area.

František Gregora was a fairly prolific composer and his output includes sacred and secular choral music, chamber and orchestral works alongside a wealth of solo music for double bass.

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Simandl, Frantisek

František [Franz] Simandl (1840-1912) was one of the leading bassists and teachers of his generation and studied double bass at the Prague Conservatoire with Josef Hrabě. He became a member of the Vienna Philharmonic and taught at the Vienna Conservatoire, teaching many bassists who exported the Czech double bass school to every corner of the world. Although Simandl’s music has fallen from favour in recent times, he was a pioneer of his day and his New Method for Double Bass helped succeeding generations to build and develop the standard of double bass playing today.

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