True Grit is a lively, dramatic and entertaining bass quartet with much to enjoy for performers and audiences alike. It’s rhythmic drive and momentum create energy and a sense of adventure, with musical and technical challenges for each player.

It was composed to celebrate the centenary of the birth of the Hollywood film star John Wayne in 2007, commissioned by David Heyes, and is a fun and enjoyable piece which is aimed at the good intermediate quartet.

‘True Grit was written to mark the centenary of the birth of legendary Hollywood star, John Wayne (1907-1979), and is named after one of his most memorable, Oscar- winning films. The slow-talking giant, nicknamed ‘The Duke’, played many roles that portrayed people in positions of trust and authority, and facing danger – solid, reliable and compassionate, but usually risking life and limb to uphold right and honour, with a rallying sense of purpose. The music seeks to reflect this mix of tense drama, fighting spirit, dignity and adventure. The galloping opening takes us right into the dusty trails of the Wild West, which were familiar territory throughout his career. A confident theme spells out the driving nature of whatever kind of mission his characters took on. A more defiant and questioning section signified his more light- hearted and rousing moments. The themes return with punchier rhythms and in different keys leading to a closing statement of the opening motif that charges relentlessly to close the piece back on the dusty trail.’ [Tony Osborne]

True Grit was premiered at St. John’s Church, Horsington (Somerset) by David Heyes, Sarah Buckley, Kate Palmer and Kirstie Wilson, as part of the 2007 Wells Double Bass Weekend.