“Rhythmic drive is perhaps the most important- and unifying – musical element that extends through A Night in Compostela…A Night in Compostela recalls the nocturnal streets of Northern Spain during a season of fiesta. The first second bass part open with a repeating sixteenth note pattern, setting a quick pace and immediately establishing a lively groove. Basses three, four and five soon join with ricochet gestures that pop like celebratory firecrackers in the night.

When the sixth bass makes its entrance, it is the first to play a four-bar G minor melody. This syncopated and scalar theme will later be picked up and modified by the upper voices, which often work together in rhythmic unison. Meanwhile, the sixth bass takes over a purely rhythmic function, clearly outlining the quadruple meter all the way to the end of the piece…accessible to intermediate and advanced bassists fluent in thumb position and confident with rhythmic playing.

García’s command of the instrument is clear. His idiomatic writing allows the performer to take advantage of harmonics and open strings. Frequent repetition and ostinato rhythms will help hold the ensemble together and likely inspire the audience to tap or clap along.” [Philip Alejo, Bass World, International Society of Bassists]