Your basket is currently empty!
Dragonetti, Domenico
Domenico Carlo Maria Dragonetti was an Italian double bass virtuoso and composer, born on April 7, 1763, in Venice. He is renowned for his extraordinary skill with the double bass and for his contributions to the development of the instrument as a soloist in classical music.
Dragonetti began playing the guitar and double bass at a young age, and by the age of thirteen, he was appointed principal player at the Opera Buffa in Venice. He later worked at the Chapel of San Marco and at the Grand Opera in Vicenza. His talent was recognized throughout Europe, and he turned down several opportunities, including offers from the Tsar of Russia.
In 1794, Dragonetti moved to London to play in the orchestra of the King’s Theatre and settled there for the remainder of his life. He became a prominent figure in the musical events of the English capital, performing at the concerts of the Philharmonic Society of London and meeting influential persons like the Prince Consort and the Duke of Leinster.
Dragonetti was acquainted with composers Joseph Haydn and Ludwig van Beethoven, whom he visited on several occasions in Vienna. He showed them the possibilities of the double bass as a solo instrument and influenced Beethoven’s music, particularly in the Fifth Symphony where double basses frequently double with the cellos.
He is also remembered for developing the Dragonetti bow. It is characterized by its convex (outwardly curved) shape, a design that Dragonetti pioneered and used to achieve a unique and powerful sound. This bow has a convex shape (the stick of a Dragonetti bow curves away from the hair) which allowed Dragonetti to produce a robust, percussive staccato and a powerful sound overall, making it a popular choice for his style. Dragonetti’s innovative bow and playing technique helped establish the double bass as a solo instrument and influenced subsequent generations of double bassists. Dragonetti bows are known for their excellent attack of staccatos and their suitability for a wide range of musical styles, from the Sturm und Drang period to the Classical era. which he used throughout his life to enhance his performances.
His “Twelve Waltzes for Unaccompanied Double Bass” are particularly famous and well-regarded for their virtuosity. Additionally, he composed a concerto in G major and a quintet in G major, among other works. His influence extended to Beethoven, who was impressed by Dragonetti’s double bass skills and even collaborated with him.
Key works by Domenico Dragonetti:
Twelve Waltzes for Unaccompanied Double Bass: Considered his most famous and virtuosic work.
Concerto for Double Bass and Orchestra in A major: A notable concerto showcasing his skills.
Double Bass Concerto in G major, D290: Another important concerto composition.
Duo in B flat Major for cello and double-bass: A piece showcasing the interplay between two instruments.
Quintet in G Major: A chamber music work.
“The Famous Solo”: A showpiece piece, originally for double bass and orchestra, but also arranged for double bass and quartet.
Domenico Dragonetti passed away on April 16, 1846, in London.
Dragonetti began playing the guitar and double bass at a young age, and by the age of thirteen, he was appointed principal player at the Opera Buffa in Venice. He later worked at the Chapel of San Marco and at the Grand Opera in Vicenza. His talent was recognized throughout Europe, and he turned down several opportunities, including offers from the Tsar of Russia.
In 1794, Dragonetti moved to London to play in the orchestra of the King’s Theatre and settled there for the remainder of his life. He became a prominent figure in the musical events of the English capital, performing at the concerts of the Philharmonic Society of London and meeting influential persons like the Prince Consort and the Duke of Leinster.
Dragonetti was acquainted with composers Joseph Haydn and Ludwig van Beethoven, whom he visited on several occasions in Vienna. He showed them the possibilities of the double bass as a solo instrument and influenced Beethoven’s music, particularly in the Fifth Symphony where double basses frequently double with the cellos.
He is also remembered for developing the Dragonetti bow. It is characterized by its convex (outwardly curved) shape, a design that Dragonetti pioneered and used to achieve a unique and powerful sound. This bow has a convex shape (the stick of a Dragonetti bow curves away from the hair) which allowed Dragonetti to produce a robust, percussive staccato and a powerful sound overall, making it a popular choice for his style. Dragonetti’s innovative bow and playing technique helped establish the double bass as a solo instrument and influenced subsequent generations of double bassists. Dragonetti bows are known for their excellent attack of staccatos and their suitability for a wide range of musical styles, from the Sturm und Drang period to the Classical era. which he used throughout his life to enhance his performances.
His “Twelve Waltzes for Unaccompanied Double Bass” are particularly famous and well-regarded for their virtuosity. Additionally, he composed a concerto in G major and a quintet in G major, among other works. His influence extended to Beethoven, who was impressed by Dragonetti’s double bass skills and even collaborated with him.
Key works by Domenico Dragonetti:
Twelve Waltzes for Unaccompanied Double Bass: Considered his most famous and virtuosic work.
Concerto for Double Bass and Orchestra in A major: A notable concerto showcasing his skills.
Double Bass Concerto in G major, D290: Another important concerto composition.
Duo in B flat Major for cello and double-bass: A piece showcasing the interplay between two instruments.
Quintet in G Major: A chamber music work.
“The Famous Solo”: A showpiece piece, originally for double bass and orchestra, but also arranged for double bass and quartet.
Domenico Dragonetti passed away on April 16, 1846, in London.