A Spotless Rose is originally for SSA voices and piano, is dedicated to Sarah Poole, written for a charity concert in December 2014 and subsequently arranged …for voice and piano.
The simple arpeggio accompaniment creates an atmospheric web above which the soloist can weave melodic lines and is set to a most evocative and beautiful text. The accompaniment can be played by piano or harp and the carol is a simple and understated setting which the composer hopes will appeal to choirs, soloists and audiences alike.
A Spotless Rose is also available for SSA choir and piano.
A Spotless Rose for soprano and piano was premiered at Warminster School (Wiltshire) on Saturday 6 December 2015 by Sarah Poole (soprano) and David Heyes (piano).
A spotless Rose is blowing Sprung from a tender root
Of ancient seers’ foreshowing Of Jesse promised fruit
It’s fairest bud unfolds to light Amid the cold, cold winter And in the dark midnight
The Rose which I am singing Whereof Isaiah said
Is from its sweet root springing In Mary, purest Maid
For through our God’s great love and might The blessed babe she bare us
In a cold, cold winter’s night
The Rose which I am singing Whereof Isaiah said
Is from its sweet root springing In Mary, purest Maid
For through our God’s great love and might The blessed babe she bare us
In a cold, cold winter’s night
Words: 15th-century German (translated by Catherine Winkworth)
Look Inside
David Heyes (b.1960) studied double bass with Laurence Gray and Bronwen Naish, later at the Royal College of Music in London, and completed his post-graduate studies in Prague with FrantisÌŒek PosÌŒta (Principal Bass, Czech Philharmonic Orchestra). He has given recitals and masterclasses in 20 countries over the past few years and has been a juror at a number of international competitions, three times as chairman.
David’s collaborative work gained him a prestigious award from the David Walter Charitable Trust of New York for his pioneering activities as a soloist, teacher, publisher, and commissioner of new music for double bass and he works with composers throughout the world to expand the double bass repertoire by commissioning new music and by rediscovering forgotten ones. Since 1983 more than 700 works have been written for him, music from one to twenty basses and from beginner to virtuoso, and he has premiered ten contemporary concertos with orchestra.
David began to compose in 2013 and has had music performed and recorded in 29 countries across five continents. He is a D’Addario Performing Artist and has recently commissioned a solo double bass from British master-luthier Martin Penning.
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