1. He, Zigeuner, greife in die Saiten ein
2. Hochgetürmte Rimaflut, wie bist du so trüb’
3. Wisst ihr, wann mein Kindchen am allerschönsten ist?
4. Lieber Gott, du weißt, wie oft bereut ich hab’
5. Brauner Bursche führt zum Tanze
6. Röslein dreie in der Reihe blüh’n so rot
7. Kommt dir manchmal in den Sinn, mein süßes Lieb
8. Horch, der Wind klagt in den Zweigen traurig sacht
9. Weit und breit schaut Niemand mich an
10. Mond verhüllt sein Angesicht
11. Rote Abendwolken zieh’n am Firmament
Johannes Brahms was a German composer, pianist, and conductor of the mid-Romantic period, born on May 7, 1833, in Hamburg, Germany. He passed away on April 3, 1897, in Vienna, Austria-Hungary (now Austria). Brahms is often grouped with Johann Sebastian Bach and Ludwig van Beethoven as one of the “Three Bs” of music, a comment originally made by the nineteenth-century conductor Hans von Bülow.
Brahms’s music includes symphonies, concerti, chamber music, piano works, choral compositions, and over 200 songs. His style is deeply rooted in the structures and compositional techniques of the Classical masters, yet his music also embodies deeply Romantic motifs. While some contemporaries found his music to be overly academic, his craftsmanship was admired by later figures as diverse as Arnold Schoenberg and Edward Elgar.<
His life began in a Lutheran family, and his father, Johann Jakob Brahms, was a musician who found work as a jobbing musician and a string and wind player in Hamburg. Johannes showed early promise as a pianist and first studied music with his father. At age seven, he was sent for piano lessons to F.W. Cossel, who three years later passed him to his own teacher, Eduard Marxsen.
Between ages 14 and 16, Brahms helped support his family by playing in inns in the dock area of Hamburg, while also composing and sometimes giving recitals. In 1850, he met Eduard Reményi, a Jewish Hungarian violinist, with whom he gave concerts and from whom he learned something of Roma music—an influence that remained with him always.
The turning point in his career came in 1853 when he met the violin virtuoso Joseph Joachim, who instantly recognized Brahms’s talent. Joachim introduced him to composer Robert Schumann, and this connection led to Brahms’s music being published and gaining recognition
Brahms was a virtuoso pianist who premiered many of his own works. He worked with leading performers of his time, including the pianist Clara Schumann and the violinist Joseph Joachim, the latter being a close friend. His works have become staples of the modern concert repertoire, and his influence on music has been profound, with his detailed construction of works serving as a starting point and inspiration for a generation of composers.
The song cycle Zigeunerlieder (Gypsy Songs) by Johannes Brahms consists of eleven settings of Hungarian folk songs in a German adaptation by Hugo Conrat, which, according to…
The song cycle Zigeunerlieder (Gypsy Songs) by Johannes Brahms consists of eleven settings of Hungarian folk songs in a German adaptation by Hugo Conrat, which, according to the composer, “could be understood to form a novel-like structure.” Four more of these were later published as part of the Six Quartets op. 112. The cycle originated in a relatively short time in February 1888 and went into print in October 1888, as the editor of the respective volume of the new Brahms complete edition is explaining in detail in the preface.
In a way, the Zigeunerlieder op. 103 form the exotic counterpart of the Liebeslieder (Love Songs) op. 52 and op. 65 and the vocal counterpart of the Hungarian Dances. Although Brahms had conceived them for vocal quartets in domestic use, public performances with choirs already happened during his lifetime. This tradition continues until today, taking advantage of modern grand pianos with a larger volume to enable a larger choral scoring.
Urtext from the new Brahms Complete Edition.
R.R.P £16.00
Our Price: £14.00
Digital Download – PDF
Shipping costs: No shipping
Please create and forward a copy of this publication to the customer