Orlando Gibbons’ Pavan & Galliard, originally for six viols, transcribes beautifully for double basses, exploring and exploiting the sonorous and cantabile qualities of the instrument across its entire range. The two contrasting dance movements offer musical and technical challenges for the enterprising sextet, with the opportunity to introduce a wealth of dynamics and articulations to create their own unique interpretation.

The contrapuntal writing, featuring something of interest and importance for each player, develops effective ensemble skills ensuring the ability to play as both soloist and accompanist.

The Pavan(e) is a slow and processional dance in Europe in the 16th-century. Often sedate and dignified and usually with a 2/2 or 4/4 time signature.

Galliard(e) was a popular renaissance dance in Europe in the 16th-century. It was a favourite dance of Queen Elizabeth I and is often described as an athletic dance, characterised by leaps, jumps and hops.