Tutto il Mondo Serra is a transcription of Frederic Chopin’s Étude in C sharp minor
Op.25, No.7, originally for solo piano, which has …also been transcribed by many
others for different instrumental combinations. The words are by an unknown author
and but are unlikely to be by Bottesini.
Tutto il Mondo Serra is a work to test both the technical and musical prowess of any
bassist and uses the entire range of the double bass. Both soloists are equal
partners, with a gently rhythmic accompaniment which creates a magical and
evocative work, bringing two great 19th-century virtuosi together in one piece –
Chopin and Bottesini. Three Impressions is a colourful and accessible trio of pieces for three double
basses. Playable as a suite, singly or in any order, these attractive and engaging
pieces are ideal for the progressing bass and ideal for any audience or occasion.
It has been said that music is one of the oldest forms of communication, that it can
even bridge boundaries of time and culture to share thoughts or emotions. If we were
to accept the probability these several little snippets, these three trios, project a
wordless dialogue, we might further imagine in this shared reflection a story of sorts
being told – such as: We hear in the old adage that, “Two’s Company, Three’s a
Crowd”, and though we must say there are moments when one on one is best, there
is nonetheless a bit of unkindness in that attitude.
The trio entitled “Three’s No Crowd”, with its awkward 5/4 meter and edgy
accompaniment (not to mention the need for three colleagues to perform it),
suggests some degree of discomfort with that sentiment.
In the quiet aloneness of “Soliloquy” the human need for balance is considered, that
one must find solace in moments of solitude, but without the camaraderie of our tribe
we will not feel ourselves complete – and so we close with the thought that there
also are those moments when we are “Better Together”.
Three Impressions was commissioned by David Heyes for 40 @ 40, a project to
commission forty new double bass pieces to celebrate Recital Music’s 40th birthday
in 2026.
Look Inside
Giovanni Bottesini was an Italian Romantic composer, conductor, and a double bass virtuoso born on December 22, 1821, in Crema, Lombardy1. He is often referred to as “the Paganini of the double bass” due to his extraordinary skill with the instrument.
Bottesini’s early musical education was provided by his father, an accomplished clarinetist and composer. He began playing timpani with the Teatro Sociale in Crema before the age of eleven and later studied violin with Carlo Cogliati1. His father sought a place for him at the Milan Conservatory in 1835, and Bottesini prepared a successful audition for the double bass scholarship in a matter of weeks.
After leaving the conservatory in 1839, Bottesini embarked on a globe-trotting career as a double bass virtuoso. He made his first appearance in England in 1849 and enjoyed great popularity for many years due to his extraordinary skill as a performer1. Bottesini was also known throughout Europe as a conductor and directed the first performance of Verdi’s Aida at Cairo in 1871.
Bottesini’s contributions to music include numerous operas, sacred works, orchestral pieces, and works for the double bass. His fantasies on Lucia di Lammermoor, I puritani, Beatrice di Tenda, and especially La sonnambula are virtuosic tours de force that are still popular with those who are highly accomplished on the instrument.
He passed away on July 7, 1889, in Parma.
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